The New Regime

There are a few regime changes going on around here and I’m not talking about the capitalists. Apart from the fact that my 8 year old keeps spouting his rights to me, and told me the other day that he was a teenager child, a term he coined. I look like a teenager, I act like a teenager and I talk like a teenager, he announced.

Right now I couldn’t agree with him more, but I can’t say I am enjoying this new development. In addition to this, now all three of them sometimes gang up together against us. It is quite sweet to see their momentary solidarity against parenthood, as opposed to bickering amongst themselves, but it is certainly giving me a taste of things to come and a lot earlier than I was expecting. Last night they all trotted into the room and pulled moonies, giggling hysterically at their own irreverence. (Pulling moonies is the British past time of pulling down your pants and showing your nice white bum to anybody you wish, very childish but undeniably funny).

I have not pulled many moonies lately, but I have let myself fall into the hands of Regina and her new regime of tae bo and pilates, followed by a back massage. It is the first time in my life, and probably the last time I will be able to have my own personal trainer and just about in time. At the age of nearly 44, after giving birth to 3 children and having partied maybe a little bit too much in my youth, I decided the time had come for my first foray into formal exercise.  Previously in London cycling and dancing had been enough. Since arriving on this island a few too many Madmanesque parties had welcomed us, but continued at a relentless pace so something had to be done.

You would have to drag me into a gym kicking and screaming; alien places almost as unpleasant as hospitals to me and full of machines, so this is my healthy alternative. Regina arrives at my house twice a week full of positive energy and with a big smile. An Afro-Cubana, Tae Kwan do champion with a degree, who literally does have buns of steel. So no matter what my mood I usually perk up a bit and prepare myself for some more mild torture.

My first couple of sessions were during the film festival, and I literally thought I was going to vomit. I hope I have slightly improved since then as the waves of pure nausea have passed. Anyway its much nicer doing it on my sea front patio than in a windowless gym with a lot of other sweaty people and my back problems have improved; I am no longer reaching for the Ibuprofen bottle at the end of a busy day. Still got a long way to go though ……… as I realise every Monday and Friday morning. Being able to afford this is definitely one of the perks of life in Cuba. I pay $15 for an hour of 1 to 1 exercise and a half an hour back massage. Worth every centavo!

Anyway, onto the real stuff of changing regimes. A Cuban friend invited us to a concert last Saturday night. It was Carlos Varela celebrating his 30 years in the business and the tickets were hot! Carlos Varela is probably one of the more well-known Nueva Trova singers after Silvio Rodriguez. Silvio discovered him and helped the nomo (Gnome) launch his career taking him on tour to Spain. Nowadays Varela’s music is known for its open criticism of the status quo, though it is still considered Nueva Trova, which itself began as a reaction to the unjust conditions that led to the Revolution. And it seems that he does criticise the Cuban status quo quite a lot. Personally, since I have arrived in Cuba (I can’t talk about before) I have found the Cuban people quite willing to openly criticise whatever is going on. Not the repressed people that I suppose some of the world’s media would like to represent, or at least not anymore.

Anyway, so there I was with a great seat in the Teatro Nacional watching the nomo. And he is undisputedly gnome-like : short with skin tight black jeans and little booties. But in my experience, the less pin up the artist the more likely you are to be in for better quality music, and the music, not my first choice of genre but definitely good. He had a whole bunch of famous guests joining him on stage ……from the US, from the Van Vans and Calle 13. I enjoyed most of the music, accept for the unavoidable slide into the occasional slushy romantic number, but it was fascinating to see all the Cubans hanging off his every word. One friend told me that he is wearing black until the regime changes. Which regime I thought, the US one or the Cuban? Radical stuff! Every age group was represented and there was mucho respeto for the little man. What is going to change? Was does the future hold for Cuba? What do we want?

For Christmas I treated myself to a book I have had my eye on for a year now, in English, and grossly over priced called The Mafia in Havana, A Caribbean Mob Story, by Enrique Cirules, a seasoned Cuban journalist. If not the most well written or well-translated book, it was packed with fascinating juicy facts, and it seems that this writer had had access to a lot of information and researched his topic thoroughly.

There is something always fascinating and incredulous about the world of organised crime and when it comes to Cuba I really wanted to know how bad it was. What went before must have been pretty bad to enable the Revolution to happen and remain so strong all these years. What had encouraged this huge regime change amongst the Cuban people? I wanted to be reminded.

Basically, Cuba was already well on its way to being the paradise island of vice in 1959 serving the US but remaining a sort of Cuba. It had a perfect geographical situation to receive everybody and a lot of Colombian cocaine and Jamaican marijuana too. Hotels shooting up everywhere, millionaires being created every week from corruption, everybody involved including the CIA, the US Ambassador, Frank Sinatra, George Raft, Mafia from Corsica and Sicily ………. You name them everybody wanted a piece of the action and they didn’t care how low their moral depths could sink. Sydney Pollack’s film Havana with Robert Redford does portray a little of the Havana life pre-revolution.

Right here, up the road from me in Marina Hemingway, their were plans to build a huge Vegas type complex, the Monte Carlo Hotel with Casinos, accommodation, entertainment and a beautiful marina to ship in whatever drugs or women or reprobates you wanted. Beats being in the middle of the desert! The people who love that kind of bad taste glamour, they rarely see the downside. The killings, the prostitution ruled by pimps, the drug addiction, the poverty for the masses. Cuba had gained independence from Spain and was now ruled by the US in the worst possible way. Nobody really cared about the island or it’s people but you could certainly come on a holiday and have a lot of fun.

Even plans to build a metro and keep the trams were wrecked as they wanted to sell more cheap American cars. Think about public transport here in Cuba and you should think about how many cars were flooding into Cuba, and now ironically the almedrones (name for the big old American cars that operate like makeshift buses) are the only public transport often to be found in many barrios in Havana.

A vibrant picture of the Mafia’s Carribbean empire, a shockingly glamorous and fantastically seedy world of Sinatra and the showgirls, mambo and marijuana, corrupt cops and politicians, run by shady characters like Lucky Luciano and Meyer Lansky.

We invented Havana, and we can goddamn well move it somewhere else if Batista can’t control it.

Meyer Lansky quoted in the film Havana. I’m not so sure they could move it somewhere else ………. But hey who knows.

Do we want Cuba to return to those days? I suppose not! But things are changing, and changing fast. Maybe as a warning of what could go wrong again, everybody should be reading this book.  Also the longer I am here I understand why the people are so protective of their little island because most people who have come here, have come just to take take take, from the Spanish colonists to the Russians using them for their political games.

My next investigation is into the Soviet era, nobody talks about it very much … I wonder why?

Film Check

Cecilia by Humberto Solas

A Cuban classic starring three great Cuban actresses Daisy Granados, Eslinda Nuñez and Raquel Revuelta. Powerful stuff portraying a pre-Independence Cuba with slaves and mulattos uprising and a lot of racial and class tension. A strange mixture of the old fashioned and the raw, dated and radically shocking at the same time. Not sure I could sit through it again. Watch out for the scene when they hack off a slave’s willy with a machete.  Paulo had snuck downstairs and I almost did myself an injury diving for the control.

Cuban cinema, my first forages …….

I am so lucky to have access to a wonderful film library, reputedly one of the best in Latin America.  My husband is the director of one of the most unique film schools in the world and this has some benefits!  Luciano who heads up the library is a wise man of Latin cinema, who gives me tips and opinions along with the lovely chatty women who work there and know the films and the gossip.

My progress through the library is slow but sure.  Having 3 children and quite an active social life means that I cannot race.  I began by educating myself with some Cuban classics and it was a good way of learning a few of the important names in Cuban cinema.  I don’t have the internet power or ability to put links to all these films but you all do so ……….

Memorias de Subdesarollo directed by Tomas Gutierrez Alea is set in the wake of the Bay of Pigs incident.  Sergio is a bourgeois aspiring writer who decides to stay in Cuba even though his wife and many friends have fled to Miami. Sergio reflects in his voiceovers on the changes happening in Cuba from the revolution to the missile crisis.  He feels alone in a brave new world and continues chasing beautiful women all over Havana.  The cool style of the film for me was really reminiscent of the nouvelle vague films of the 60s that I watched in Paris 20 years ago.  Jean Luc-Godard being my favourite.  The way the two main characters meet and the farcical relationship that ensues reminded me a little of A Bout de Souffle (Breathless).  But there are many things that are quintessentially Cuban and very atmospheric.  As a socially historical document it is well worth a watch.

I followed this with Lucia, a Cuban classic but without subtitles and Rafa I could not do justice to this great film.  I need to watch it again in a year or so and with a Cuban.  The images of the nuns being raped in the early part of the film, took my breath away.  Just be warned.  Its hard hitting stuff!

Solas created one of the most important works in the nascent feminist cinema of the period.  Told in three segments, set in 1895, 1932, and in the heady years just after the Revolution,Lucia is an epic of Cuban history. The three Lucias are literally, different women, each of their stories combining into a larger narrative of slow, painful progress for Cuba, less as a nation than as a society. The three Lucias each offer different visions of class; Solas deftly links concern with economic materialism to character growth and change, in the process transforming that often very bourgeois cinematic genre, the family melodrama, into a platform for social investigation.

I was lucky enough to meet one of the Lucia’s in my early days in Havana, Eslinda Nuñez.  I did not realise I was chatting with a Cuban icon on a night out at the Mexican embassy, I was just impressed by a beautiful and elegant woman, so easy to talk to and unpretentious.  I hope to meet her again soon.

De Cierta Manera (One way or Another) is the only feature film of the late great Sara Gomez.  It is set in the residential district of Miraflores built by the Revolution for the inhabitants of the shantytown on the outskirts of Havana known as Las Yaguas.  What I loved about this film was how the director mixed real documentary footage with actors and fiction.  This authentic technique was way before its time and a brilliant social document.  The film attempts to reveal the new reality that the Revolution has placed within the reach of a previously marginalized sector of the Cuban population.  The director mixes shots of the demolition of dilapidated tenements with the building of new houses and apartment blocks.

A metaphor for replacing an old socio-economic order with a new value system and the aspirations of a new society in construction.  Through the three protagonists she explores the evolution within the social environment looking at the old capitalist hangovers of individualism, false values and friendships and chauvinism.

I was chatting away with a friend, who has been living in Cuba nearly 12 years, at my sons rugby match a few weeks ago and he mentioned a film that was made famous as it was banned by Fidel in the 60s and prompted Fidel’s famous line: Within the revolution everything; against the revolution, nothing.  A strange line, and I am still trying to grasp exactly what he meant other than: stay faithful to the Revolution but that seems a bit obvious and nothing to do with the subject matter of this film.  Anyway the copy of the film that I got from the film school opened with this line.  PM is only 14 minutes long; Rafa and I watched it together and loved it.  It captures beautifully in black and white, fly on the wall photography, one night out in Havana over 50 years ago.  And well, some things just don’t change.  The music, the drunks, the food vendors, the prostitutes, the bars, the musicians, the lovers.  It was screened on Cuban TV at the time but never made it to cinema.

The makers of PM, Orlando Jiménez Leal and Sabá Cabrera Infante (brother of writer Guillermo Cabrera Infante) later went into exile and the film became, bizarrely, the most controversial and invisible film in the history of Cuban cinema.  Recently it was screened without any comment or fuss in a Cuban cinema and I am told that you can find it on YouTube in two parts.

I got another Cuban classic but thinking more of my boys who have had a poster on their wall since pretty much Paulo was born:  Vampiros en la Habana.  For anyone who doesn’t know, Cuban film posters are wonderful.  They have their own inimitable style and make great art.  A perfect present from Havana where there is not always too many nice things to buy as gifts unless you are in the know and can get away from the people hawking tired cliché Cuban rubbish and cigars.

Vampiros en Habana is an animation classic but without subtitles and a very fast storyline I was struggling and left it to my bilingual sons, who enjoyed it after feeling initially uncomfortable that it wasn’t a cartoon that resembled Disney or Pixar.  Other great Cuban films for children include Cannes prize winner Viva Cuba by our friend Cremata and the recently successful Habanastation.

After this I decided to have a break from Cuban films as I had been walking down the corridor at the film school and looking at all the posters of the graduates.  I had already seen 2 or 3 but couldn’t wait to get started on the others.  So read the next post to find out more ……..